Many describe the Welsh poet and priest R.S. Thomas as a “poet of the cross,” and his poems often include the stark image of an empty cross – or an “untenanted” one, in his words. His untenanted cross no longer bears death, however, but witnesses life.
There is nothing kind or warm about a cross. Its power lies in its austerity, like the angular harshness of R.S. Thomas’ poetry, or the Four Motets for a Time of Penitence by Francis Poulenc. Both were reacting to the bleakness of their surrounding landscapes – one evoking the forbidding, lonely existence of Welsh farmers, and the other writing his motets soon after the death of his dearest friend and during the ugliness of European war in the late 1930’s. With an economy of texture and a sense of desperation, Poulenc (uncharacteristically so) and Thomas (inseparably so) cause us to confront those difficult places where the silent cross stands, untenanted and unflinching, waiting until we are ready to receive its strength.
To one kneeling down no word came,
Only the wind’s song, saddening the lips
Of the grave saints, rigid in glass;
Or the dry whisper of unseen wings,
Bats not angels, in the high roof.
Was he balked by silence? He kneeled long
And saw love in a dark crown
Of thorns blazing, and a winter tree
Golden with fruit of a man’s body. – R.S. Thomas, In a Country Church
Fear and trembling have come upon me and darkness has fallen
upon me. Have pity on me, Lord, have pity; because in thee my
soul trusts. Hear, O God, my prayer, because thou art my refuge
and my strong helper. Lord, I have called on thee, I will not
be confounded. (words from the Psalms)
The strange fruit in the poem’s final line is as unsettling as Poulenc’s music in this first of his Lenten motets. Both express passion – a word which we use so freely for our hobbies and loves, but which finds its roots in the Latin for suffering. I feel an emptiness in this music and in these words. The kind of emptiness that is cleansing. The kind of emptiness that invites rebirth.
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This blog represents my attempt to put thoughts together on various things that seem to connect – in my mind anyway. More often than not new ideas first involve reaching back to what was and I can only hope that the prehistoric San cave painting at the top of this page inspires all kinds of new connections between old and new.
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