I know I’ve been described as cynical by some, which I suppose might be partly true, but I do strive to be optimistic, and I’m not so sure that optimism and cynicism are mutually exclusive anyway. Maybe I could be a cynical optimist? The cynic in me is elated when I find I’m wrong about someone I’ve prematurely judged to be haughty or boring. The optimist in me is crushed when I discover that self-styled kind people can have layers of cruelty or ignorance just below the surface. My cynical side feels that I have gained some wisdom from life’s experiences, earning the right to feel wary. My optimistic side admires the ability I occasionally see in others to move through this life with open-eyed wonder. And that’s the side of me I want to encourage – the part that is quick to see the surprisingly special bits of life all around me.
This juxtaposition of optimism and cynicism came to me in part because of an article in a recent issue of Time magazine titled The Art of Optimism. The issue’s guest editor, filmmaker Ava DuVernay, makes a case for why “art is the antidote for our times,” and writes beautifully about art’s power to instigate engagement with others.
I was inspired as well by the time I’ve spent recently with Beethoven’s Violin Sonata No. 5, known as the “Spring” Sonata. We generally think of Beethoven as awkward and complicated at best, but also erratic, headstrong, and rude. The anger, melancholy and deafness which defined his adult life often kept him isolated, and yet his churlishness gave way on occasion to gorgeously expressed optimism. Like this:
What I know is that cynicism is easy and optimism can be hard. Cynics shut down conversations and build walls against creativity. Optimists crave new ways of interpreting a situation and cultivate curiosity.
Optimism overtakes cynicism, via Brahms and Beethoven, in a concert I’m playing with a friend this Sunday, February 24, and you are warmly invited to join us at Cedar Lane Unitarian Church at 4:00. Concert Flyer.
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This blog represents my attempt to put thoughts together on various things that seem to connect – in my mind anyway. More often than not new ideas first involve reaching back to what was and I can only hope that the prehistoric San cave painting at the top of this page inspires all kinds of connections between old and new.
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